| LOT# |
|
TITLE |
DESCRIPTION |
CONDITION |
LOW EST |
HIGH EST |
| |
|
|
|
|
|
|
| 151 |
 |
Very Early Signed Skookum Doll |
Of female with molded and
painted cloth face with glass bead eyes, black hair, original red cotton bandana head wrap, yellow cotton shawl
light blue cotton shirt over heavy cardboard tube body with trade blanket
wrap, painted wood legs and mocs with relief painted beadwork, stamped on
base of left foot with copyright symbol and “M.F./Woods”, 12.5” high. |
Slight wear to blanket, else
Fine. |
$100 |
$200 |
| 152 |
 |
Skookum Indian Doll |
Male with original polychrome
painted composition faxe, black hair in braids, trade blanket wrap blue felt
leggings and painted leather mocs, inked inscription on base of right moc
reading “Toitilda from Clittone/Indian Reservation/Aug.-13-1928 Wisconsin/
Havwart.”10.5” high. |
Minor bump on nose, else Fine. |
$50 |
$100 |
| 153 |
 |
Indian on Horseback Oil on
Canvas Painting |
Plains style eagle feather
headdress and holding a plains style lance wearing buckskin jacket and
leggings with mountain in background, signed lower left “W.F. Harrington”, 20
x 24”, mounted on board. |
Minor wear at margins, else
Fine. |
$200 |
$400 |
| 153A |
 |
Southwest Indian Watercolor Painting |
Showing a pueblo woman making a
large pottery jar while her husband is decorating a small jar, table behind
stacked with finished pottery, matted and framed, sight 8.75 x 11.75”, in
gilt frame, 15 x 18”. Appears to be part of pencil signature in lower left,
mostly covered by matt. |
Fine. Not removed from Frame. |
$100 |
$200 |
| 154 |
 |
John Ruthven Miami Indian Print |
Pencil signed lower left and
numbered 35/2000 with blind stamp also lower left, matted and framed, sight
12 x 15”, gilt frame is 21 x 24”. |
Fine. Not removed from Frame. |
$100 |
$200 |
| 155 |
 |
17th Century Portrait
Painting of Lady with Pearls |
A very fine oil on canvas
portrait on canvas of a young lady in elaborately embroidered dress with
ballooned shoulders and lace collar wearing bejeweled and feathered hat with
crucifix decorated with large pearls and on pearl necklace, almost certainly
English, circa 1680 in period carved gold leaf frame, 29.5 x 39.5”. |
Some loss of paint at bottom
margin and could use cleaning. |
$500 |
$1,000 |
| 156 |
 |
Victorian Still Life Painting of Apples |
Anonymous oil on canvas showing
8 apples resting on a dark surface, 10 x 19” in original ornate gold leaf
frame, 17.25 x 26”. |
Some damage to gesso of frame,
else Fine. |
$100 |
$200 |
| 157 |
 |
Girl in White Turban After Old
Master Painting |
A fine 19th century oil on
canvas copy of Old Master
painting of a young girl in white turban and gown, 20 x 24, in original gold
leaf frame 25 x 29”. |
Fine condition |
$200 |
$500 |
| 158 |
 |
Madonna &
Child Oil On Canvas Painting |
A very fine 19th century
painting after one of the Renaissance painters of Mary kneeling over the baby
Jesus lying on cloth with landscape in background, 26.5 x 32”, in original
gold leaf frame, 33 x 38.5”. |
Fine condition |
$300 |
$500 |
| 159 |
 |
Oil on Canvas Painting After Raphael |
Madonna & Child, printed oil
on canvas by Colton, Zahm & Roberts, N.Y., circa 1880, 11 x 9” in
original gold leaf frame. |
Fine condition |
$100 |
$200 |
| 160 |
 |
Icon of Virgin Mother |
On tin in blue with clasped
hands, 7 x 9”, in gold leaf frame, 10 x 12”. |
Some oxidation, still Very Good. |
$100 |
$200 |
| 161 |
 |
Icon of Christ |
On wood panel, 8.5” x 10.5”. |
Fine condition |
$200 |
$400 |
| 162 |
 |
L. Fuenze Bronze Girl with Bird |
Bronze sculpture of a young girl
in bare feet and bonnet holding basket by strap around neck and holding a
spread winged song bird in her left hand and feeding it with her right, on
round pedestal, signed with green marble base24” high. This is an older recasting
of this famous bronze, in fine dark brown patina. |
Fine condition |
$200 |
$500 |
| 163 |
 |
John Quincy Adams Ward Bronze Sculpture |
Full length portrait of “Henry
B. Hyde, founder of the Equitable Life Insurance Society”, signed on side of
base by Ward and marked on rear “The Henry-Bonnard Bronze Co. Founders, N.Y.
1902”. Bronze with nice all over original brown patina, 21” high. John Quincy Adams
Ward, 1830-1910, was an American artist known for his male figural sculpture. |
Fine condition |
$300 |
$500 |
| 164 |
 |
Thomas Hill (California/Ma.)
Seascape Oil Painting |
Fine oil on canvas seascape
painting by famous artist Thomas Hill (1829-1908).
Immigrating from England in 1844, Thomas Hill came to America with his
family as a youngster, and became one of America's most famous 19th-century
landscape painter. Hill
studied art in Philadelphia at the Pennsylvania Academy, and his first
intentions were to become a history painter. However, he changed to landscape when he
spent time in Europe, especially France among the Barbizon painters and in
the studio of Paul Meyerheim. During the 1870s and 1880s, his work brought high prices, but
diminished with the increasing popularity of modernism. In the latter half of the 20th
century, his work was rediscovered, and he is now considered one of the major
figures in American art. He
settled with his family in Taunton, Massachusetts and worked in Boston with a
carriage maker. He studied with
Peter Rothermel at the Pennsylvania Academy of the Fine Arts and painted in
Massachusetts and New Hampshire with George Inness, Virgil Williams, Albert
Bierstadt, and his brother, Edward Hill. He hit his artistic stride in California during the 1870s, beginning
with his first grandiose painting, The Yosemite Valley, which was published
as a chromolithograph by Prang. With Frederic Whymper, Hill was a founding member of the San Francisco
Art Association, and in 1873, he became a member of the Bohemian Club, a
men's organization dedicated to cultural enhancement. Hill's paintings continued to
bring higher prices in the 1870s, and he was a wealthy man by 1878. Soon thereafter, however, hard times
fell upon the artist, as they did on the San Francisco economy and art market
in general. He struggled through
the next decade, moving back and forth to paint in the White Mountains of New
Hampshire, and his beloved Yosemite Valley in California. During these years he was still
acclaimed but experienced increasing financial distress. Also his marriage was not happy, which
led him to spend more and more time in Yosemite. Hill's fortunes continued to vacillate
until 1896 when he suffered the first of a series of strokes from which he
never fully recovered. He died in
1908, and it is believed that his death was by suicide. Signed lower left. Oakland Museum tag
on back of frame Sight – 11 ½” x 17 ½”.
|
Some crazing in sky, otherwise
fine condition. |
$2,000 |
$4,000 |
| 165 |
 |
Wesley E. Webber (MA/CA/ME) Oil
Painting |
Large oil on canvas of lake
scene with fishermen in boats by Wesley Elbridge Weber (1841-1914). Landscape and marine painter Wesley
Webbr was born in Gardiner, Maine and died in Wollaston, Massachusetts in
November 1914. He lived in Boston
from 1870 to 1890 and lived in New York City from 1892 and was
self-taught. He is considered one
of the finer landscape painters who painted from life in the Conway area of
New Hampshire and along the New England coast, and he is reminiscent of the
Hudson River School in style and manner. Webber shared a Boston studio in Pemberton Square and then shared a
Boston studio with marine painter William P. Stubbs (1876-) and kept other
studios in New York City until his death. Every summer he went to Conway, New
Hampshire to paint the hillside, where painters JOhn J. Enneking, Frank
Shapleigh, and others joined him to paint. Two of his most famous paintings are
"Kennebec River" and "Maine Boat Shop and Unidentified Vessels
Ice-bound at Gloucester" (both at the Peabody Museum, Salem, MA). He is also represented int eh
permanent collections of the Boston Athenaeum, New York Public Library, the
Brooklyn Museum, Portland Museum of Art (Maine), and elsewhere. Housed in original frame. 18" x 30". |
Fine |
$1,000 |
$2,000 |
| 166 |
 |
Marine Oil Painting Signed Moran |
Oil on canvas of three sailboats
and steamship at sea with lighthouse. Housed in original frame. Signed lower left. 11 1/2"
x 17 1/2". |
Fine condition |
$300 |
$600 |
| 167 |
 |
Gail Sherman Corbett (New York)
Oil Painting |
Oil on canvas of Paris street
scene. Gail Sherman was educated at the Syracuse High School and the Anne
Brown School, New York. She began her studies in sculpture at the Art
Students' League in New York under Augustus Saint Gaudens, George DeForest
Brush and others, and was later a student at the Ecole des Beaux Arts in
Paris. She was given her first large commission in 1901, and, between then
and 1914, when her work was interrupted by the War, she executed many
memorial tablets, portrait busts, bas-reliefs, sundials, fountains, and
medals. Her work received a medal and mention at the Panama-Pacific
Exhibition in San Francisco in 1915. Her best known groups are the Hamilton
S. White Memorial, Syracuse, New York (1905), the Kirkpatrick Memorial
Fountain, Syracuse (1908), and the bronze doors of the Municipal Building,
Springfield, Massachusetts (1913). Miss Sherman was married at Syracuse, June
28, 1905, to Harvey Wiley Corbett, a New York architect. She was a member of
the National Sculpture Society, the American Numismatic Society, the Woman's
Municipal League, the New York Women's City Club, and the American Red Cross.
She was a teacher of art at Syracuse University.
|
Fine Condition |
$500 |
$1,000 |
| 168 |
 |
Oil Painting of Musician Signed
P. C. Mossani |
Oil on canvas dated,
"06" for 1906. 17
1/2" x 11". Signed top left. |
Some crazing; otherwise
excellent condition |
$400 |
$800 |
| 169 |
 |
Monumental Pair of Gas &
Electric Wall Sconces |
Magnificent pair of brass
sconces with six gas arms and sevel electric arms, each ornately cast with
large spheres with overlay at top. The finest pair we have seen! 33" h x 30" w. |
Very good condition |
$800 |
$1,500 |
| 170 |
 |
Pr. Brass Wall Sconces |
With two arms an ornate shield
form back plate, electric, circa 1910, 10.5 x 5 x 12” high. |
Fine condition |
$75 |
$125 |
| 170A |
 |
Arts & Crafts Wrought Iron Wall Sconce |
With four spiral turned arms
with elaborate scrolled iron sockets, on domed shield form back, decorated
with applied scrolled iron-work, 15 x 15 x 9” deep, originally made for gas. |
Fine condition |
$100 |
$150 |
| 171 |
 |
Leaded Glass Table Lamp |
Has pink florals with green
leaves at border. Three socket
base with embossed florals. 18" shade. 20"
h. |
Some cracks in panels |
$300 |
$500 |
| 172 |
 |
Large Metal Overlay Slag Glass
Lamp |
Five small (one missing) curved
caramel slag glass panels over six large curved caramel slag glass panels
with metal leaf and other overlay. A wonderful lamp that retains its original paint and patina. 18" shade. 25" h. |
One small panel missing;
otherwise excellent condition |
$200 |
$400 |
| 173 |
 |
Large Brass overlay Slag Glass
Table Lamp |
Eight caramel slag glass panels
with heavy brass overlay. 20" shade. 23"
h. |
|
$200 |
$400 |
| 174 |
 |
Metal Overlay Bent Slag Glass
Table Lamp |
Seven bent caramel slag glass
panels with floral overlay. 17" diam. X 23" h. |
Some flaking of original paint;
otherwise fine with no damage |
$150 |
$250 |
| 175 |
 |
Metal Overlay Bent Slag Glass
Panel Chandelier |
Eight bent caramel slag glass
panels with metal overlay trees and Dutch scene at top, and ships over blue
slag glass at border. Retains original factory paint. Double sockets inside. 22" diameter, 13" h. |
Overall nice condition w/no
damage to overlay or panels |
$200 |
$400 |
| 176 |
 |
Banker's Lamp with Green Cased
Glass Shade |
10" shade. 16" h |
Some rust at base, metal bracket
for shade has damage; otherwise fine condition |
$100 |
$200 |
| 177 |
 |
B & H Parlor Lamp
w/Handpainted Sheep |
Tall unusual lamp with round
hand painted scene of sheep herder and sheep, with embossed work at base, and
matching shade with hand painted sheep. Marked, "B & H" on font. Electrified. 31" h. |
Unusual small chips to top and
base of shade; otherwise fine condition |
$300 |
$500 |
| 178 |
 |
Nice Victorian Gone With The
Wind Parlor Oil Lamp |
Hand painted floral
decoration. Never
electrified. 25" h. |
Fine condition |
$150 |
$250 |
| 179 |
 |
Frederick Carl Smith Oil
Painting of Sierra Lake |
Fine California oil on canvas by
Frederick Carl Smith (1868-1955
CA/District of Columbia/Ohio/Norway). Frederick Carl Smith was born in Cincinnati and studied at the Cincinnati
Art School, the Ohio Mechanics Institute, and the Academie Julian in Paris
with Bougereau, Ferrier, and Constant. For 17 years he worked in Washington DC and then moved to Pasadena, CA
in 1917. There he was active in
the Laguna Beach art community, and a founding member of the Art Association.
This painting descended directly from the artist's family. Signed lower right. 25" x 30". |
Fine condition |
$800 |
$1,500 |
| 180 |
 |
Frederick Carl Smith Gouache
Painting |
Probably a scene of The Miami
River near Cincinnati. Frederick
Carl Smith (1868-1955 CA/District of Columbia/Ohio/Norway). Frederick Carl Smith was born in
Cincinnati and studied at the Cincinnati Art School, the Ohio Mechanics
Institute, and the Academie Julian in Paris with Bougereau, Ferrier, and
Constant. For 17 years he worked
in Washington DC and then moved to Pasadena, CA in 1917. There he was active in the Laguna
Beach art community, and a founding member of the Art Association. This
painting descended directly from the artist's family. Signed lower right. 13" x 21" |
Fine condition |
$400 |
$800 |
