| LOT# |
|
TITLE |
DESCRIPTION |
LOW EST |
HIGH EST |
CONDITION |
| |
|
|
|
|
|
|
| 211 |
 |
I KETUT REGIG (INDONESIAN)
PAINTING ON CANVAS |
I Ketut Regig (Indonesian,
1919--) 27 1/4" x 36" painting on canvas of Indonesian fishing
scene. Signed lower right
"IKT: Regig, Sanur Bali". Provenance: Originally
from the estate of Harry E. Hoffman, (1924-2013) He graduated from Indiana
University with a B.A. degree, and began a tour with the US Air Force,
serving in the Signal Corps during WWII. Following his military career, Harry
joined the State Department, working in the Foreign service and purchased
much of his art collection during that time. He traveled around the world
extensively. Following his retirement from the Foreign Service, Harry retired
to Dillsboro in 1981. He was involved with the Contemporary Arts Center in
Cincinnati, Cincinnati Art Museum, and Indianapolis Art Museum. |
400 |
800 |
Good condition. |
| 212 |
 |
RESTITUTO EMBUSCADO (FILIPINO)
ETCHING |
Restituto Embuscado (Filipino,
1954--) sight 3 1/4" x 2 5/8" etching. Titled "Self Portrait". Numbered "8/20, Auto
Retreato" along bottom. Fine
listed artist. Provenance:
Originally from the estate of Harry E. Hoffman, (1924-2013) He graduated from
Indiana University with a B.A. degree, and began a tour with the US Air
Force, serving in the Signal Corps during WWII. Following his military
career, Harry joined the State Department, working in the Foreign service and
purchased much of his art collection during that time. He traveled around the
world extensively. Following his retirement from the Foreign Service, Harry
retired to Dillsboro in 1981. He was involved with the Contemporary Arts
Center in Cincinnati, Cincinnati Art Museum, and Indianapolis Art Museum. |
50 |
150 |
Good condition in original
frame. |
| 213 |
 |
NOBUO SATOH (JAPANESE) ETCHING |
Nobuo Satoh (Japanese, 1926--)
sight 6 7/8" x 5 3/4" etching. Titled "Bowl with Lemon". Signed and dated in pencil lower right
"Nobuo Sato '66", lower left in pencil "EP" and Japanese
characters. Born in 1926 in
Kanagawa, Japan. He is known for
his etchings and mezzotints. Member of the Japan Print Association. His works are in various museum
collections. Provenance: Originally from the estate of Harry E. Hoffman,
(1924-2013) He graduated from Indiana University with a B.A. degree, and
began a tour with the US Air Force, serving in the Signal Corps during WWII.
Following his military career, Harry joined the State Department, working in
the Foreign service and purchased much of his art collection during that
time. He traveled around the world extensively. Following his retirement from
the Foreign Service, Harry retired to Dillsboro in 1981. He was involved with
the Contemporary Arts Center in Cincinnati, Cincinnati Art Museum, and
Indianapolis Art Museum. |
60 |
120 |
Good condition. |
| 214 |
 |
TOMIO KINOSHITA (JAPANESE)
WOODBLOCK |
Tomio Kinoshita (Japanese,
1923-2011) sight 12 5/8" x
18 1/2" woodblock print. Titled "Faces - You and Me". Signed, titled and numbered in pencil
lower right "9/50, Dated 1962, Tomio Kinoshita" with Japanese
characters". Provenance: Originally from the estate of Harry E. Hoffman, (1924-2013)
He graduated from Indiana University with a B.A. degree, and began a tour
with the US Air Force, serving in the Signal Corps during WWII. Following his
military career, Harry joined the State Department, working in the Foreign
service and purchased much of his art collection during that time. He
traveled around the world extensively. Following his retirement from the
Foreign Service, Harry retired to Dillsboro in 1981. He was involved with the
Contemporary Arts Center in Cincinnati, Cincinnati Art Museum, and
Indianapolis Art Museum. |
200 |
300 |
Good condition. |
| 215 |
 |
HIDEO YOSHIHARA (JAPANESE)
LITHOGRAPH |
Hideo Yoshihara (Japanese,
1931--) sight 17 1/2" x 21 3/8" artist proof lithograph. Signed and dated in pencil lower right
"H. Yoshihara '64". "A.P."
lower left. Provenance: Originally from the estate of Harry E. Hoffman,
(1924-2013) He graduated from Indiana University with a B.A. degree, and
began a tour with the US Air Force, serving in the Signal Corps during WWII.
Following his military career, Harry joined the State Department, working in
the Foreign service and purchased much of his art collection during that
time. He traveled around the world extensively. Following his retirement from
the Foreign Service, Harry retired to Dillsboro in 1981. He was involved with
the Contemporary Arts Center in Cincinnati, Cincinnati Art Museum, and
Indianapolis Art Museum. |
100 |
200 |
Good condition. |
| 216 |
 |
NOBUO SATOH (JAPANESE) ETCHING |
Nobuo Satoh (Japanese, 1926--)
sight 9 3/4" x 14 1/4" artist proof etching. Titled "Toys". Signed in pencil lower right
"Nobuo Satoh", lower left "Artist Proof", with Japanese
characters in pencil center. Born in 1926 in Kanagawa, Japan. He is known for his etchings and
mezzotints. Member of the Japan
Print Association. His works are
in various museum collections. Provenance:
Originally from the estate of Harry E. Hoffman, (1924-2013) He graduated from
Indiana University with a B.A. degree, and began a tour with the US Air
Force, serving in the Signal Corps during WWII. Following his military
career, Harry joined the State Department, working in the Foreign service and
purchased much of his art collection during that time. He traveled around the
world extensively. Following his retirement from the Foreign Service, Harry
retired to Dillsboro in 1981. He was involved with the Contemporary Arts
Center in Cincinnati, Cincinnati Art Museum, and Indianapolis Art
Museum. |
60 |
120 |
Good condition. |
| 217 |
 |
FINE TABWA AFRICAN CARVED
FIGURE |
From the Congo region,
beautifully carved female figure with fine old patina, almost certainly 19th century, she has her arms to her sides,
knees slightly bent, standing on round pedestal, all carved from a single
piece of wood and an impressive 63”high. The Tabwa people are a small tribe
in the Upper regions of the former Belgian Congo. |
200 |
500 |
Expected age cracks, all minor
and some minor chips on base, Very Good. |
| 218 |
 |
EARLY BAULE AFRICAN TRIBAL HEAD
GEAR |
In carved wood in the form of a
warthog in original old dark finish with holes around rim for attaching
grasses or hair, likely late 19th century, 14”long
and wide x 8”high, mounted on wood stand. |
100 |
200 |
Minor wear to finish and crack
in one ear, chip on back of neck. |
| 219 |
 |
CARVED AFRICAN PAINTED MASK |
In wonderful old green, black
and red painted finish, 6”wide x 8.25”high, in nice old patina. |
100 |
200 |
One ear reattached and paint is
circa 97%. |
| 220 |
 |
FINE EUROPEAN TAPESTRY |
Circa 1890 hand woven with rural
scene of farmer and wife with stone buildings in background and goat in
foreground, marked with old paper tag on reverse “Made In France”, 55 x 80”. |
200 |
400 |
Fine. |
| 221 |
 |
FINE EUROPEAN TAPESTRY |
Circa 1890 hand woven with rural
scene of shepherd and shepherdess, in forested setting with sheep, marked
with old paper tag on reverse “Made In France”, 67 x 76”. |
200 |
400 |
Fine. |
| 222 |
 |
EUROPEAN RENAISSANCE REVIVAL
INLAID CHAIR |
In walnut with ivory and
satinwood inlay, circa 1870, with “X” form legs with inlaid geometric designs
on most surfaces, 25.5 x 20 x 36.5”high. |
200 |
500 |
Very good. |
| 222A |
 |
4 MUGHAL MINIATURES ON IVORY |
Circa 1880 of two different
Emperors and Empress, oil on ivory, 1.5 x 2”matted and framed in pairs, 6.5 x
8”. |
100 |
300 |
All fine. |
| 223 |
 |
THREE OUTSTANDING WAX
FIGURES |
All of various eastern types
including a Hindu holy man in white robes with beads, plus an Iranian Muslim
cleric and a Iranian smoking a water pipe. All are in crossed leg position
with very detailed fabric costumes and real human hair. The wax detail on
faces, feet and hand is excellent, 20”and 17”high. The bodies are
papier-mache and made with newspaper with Arabic script, circa 1940s.
Possibly made in Pakistan or Iran. |
200 |
400 |
Some damage to a couple of
hands, else Fine. |
| 224 |
 |
EGYPTIAN SILVER ON COPPER TRAY |
Circa 1920 with very nice coin
silver overlay of Ancient Egyptian motifs on hand made 12”diameter tray. |
60 |
120 |
Fine. |
| 225 |
 |
PERSIAN TRAY & COFFEE POT |
Both circa early 20th century, includes a carved teak wood
tray with brass inlay, 15”diameter, and a copper and nickel hand made coffee
pot with figural handle and spout, 13”high |
60 |
120 |
Both fine. |
| 226 |
 |
TWO MIDDLE EASTERN METALWARE
PCS. |
Both finely hand made and circa
1920, including a nice covered dish all hand engraved with peafowl and
floral, 13.7 x 22”high; and a teapot in copper and brass with stop ribbed
body, domed lid with serpent, 8”high. |
60 |
120 |
Both fine. |
| 226A |
 |
PERSIAN BRASS BRAZIER |
Circa mid 19th century with hand
tooled dragon head handles on quatrefoil form footed bowl, all hand chased
and pierced, 13 x 8 x 6”high. |
60 |
120 |
A few minor dents, else Fine. |
| 227 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
47"x 37 1/4" |
200 |
400 |
Slight Wear |
| 228 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
48"X 39" |
100 |
300 |
Wear |
| 229 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
20 1/2"x 41 1/4" |
100 |
300 |
Fair condition. |
| 230 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
46"X 38 1/2" |
100 |
300 |
Good |
| 231 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
108"x 94 1/2" |
100 |
300 |
12"rip. Worn |
| 232 |
 |
SEMI-ANTIQUE ESTATE ORIENTAL RUG |
86"x 54 1/2" |
300 |
600 |
Good |
| 233 |
 |
SEMI-ANTIQUE ESTATE ORIENTAL RUG |
62 1/2"X 41" |
100 |
300 |
Wear |
| 234 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
53"x 41 1/2" |
100 |
300 |
Slight Wear |
| 235 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
26 1/2"x 39 1/2" |
100 |
200 |
Worn |
| 236 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
52"x 43" |
100 |
200 |
Wear |
| 237 |
 |
ANTIQUE ESTATE ORIENTAL RUG |
42"x 36 1/2" |
80 |
150 |
Worn |
| 238 |
 |
PAIR OF SEMI-ANTIQUE ESTATE
ORIENTAL RUGS |
86"x 56", and
85"x 561/2" |
400 |
800 |
Good |
| 239 |
 |
ROOM SIZE SEMI-ANTIQUE ESTATE
ORIENTAL RUG |
121"x 93" |
400 |
800 |
Good. Old re-fringe |
| 240 |
 |
SEMI-ANTIQUE ESTATE ORIENTAL RUG |
51"x 29 1/4" |
100 |
300 |
Good. Old re-fringe |
